"Still less, then, will he be able to combine the practice of any worthy pursuit with the imitation of many things and the quality of a mimic; since, unless I mistake, the same men cannot practise well at once even the two forms of imitation that appear most nearly akin, as the writing of tragedy and comedy*At the close of the Symposium Socrates constrains Agathon and Aristophanes to admit that one who has the science (τέχνη) of writing tragedy will also be able to write comedy. There is for Plato no contradiction, since poetry is for him not a science or art, but an inspiration.? Did you not just now call these two imitations?" "I did, and you are right in saying that the same men are not able to succeed in both, nor yet to be at once good rhapsodists*The rhapsode Ion is a Homeric specialist who cannot interpret other poets. Cf. Ion 533 C. and actors." "True." "But neither can the same men be actors for tragedies and comedies*Cf. Classical Review, vol. xiv. (
"If, then, we are to maintain our original principle, that our guardians, released from all other crafts, are to be expert craftsmen of civic liberty,*Cf. the fine passage in Laws 817 B ἡμεῖς ἐσμεν τραγωδίας αὐτοὶ ποιηταί, [Pindar] apud Plut. 807 C δημιουργὸς εὐνομίας καὶ δίκης. and pursue nothing else that does not conduce to this, it would not be fitting for these to do nor yet to imitate anything else. But if they imitate they should from childhood up*Cf. 386 A. imitate what is appropriate to them*i.e., δημιουργοῖς ἐλευθερίας —men, that is, who are brave, sober, pious, free and all things of that kind; but things unbecoming the free man they should neither do nor be clever at imitating, nor yet any other shameful thing, lest from the imitation they imbibe the reality.*Cf. 606 B, Laws 656 B, 669 B-C, and Burke, Sublime and Beautiful iv. 4, anticipating James, Psychology ii. pp. 449, 451, and anticipated by Shakespeare’s (Cor. III. ii. 123)